I think their secrecy about new products is a very smart and proven marketing tactic. Overall I find LR3 is a bit snappier than LR2. I felt that LR2 handles those big raw files fairly well but I did not want to see a bunch of new features in LR3 at the expense of performance. LR3 does not have a ton of new features but now that I mainly shoot with a D3x and RAW, better performance had been on the top of my LR3 wish list. When the LR3 beta came out I downloaded it and have been using it on non-client pictures. When dealing with a lot of pictures I enjoyed that it was also a little faster than Aperture 2. The local adjustments features in LR2 cut the times I needed to go into photoshop significantly, especially when doing cleanup for proofs. Then Lightroom 2 (LR2) came out, and with local adjustments and better performance. I did feel that when working with 12MP Raw files was not as fast as I wanted. I loved Aperture 1 and used it for a long time. The new version puts even the best of hardware into submission. It unfortunately is lacking one critically needed feature update–performance improvements. I’d love to hear more from you and Drew about how your using it in your workflow and what features are putting a smile on your face again and again. I can’t wait to really sit with it for a bit. I can do a lot of what Aperture does in LR2 and LR2+CS4, but Aperture 3 solves my earlier issues and gives me that “this is lovely” Apple feeling of integration and functionality. As I looked at this page this AM and again this evening, I kept thinking to myself – wow, this is fantastic. Those new features and things that I’ve always liked – such as RAW conversion that has always been better than LR and the speed of the imports and previews – made it apparent that this might be a combination of features that would bring me back to Aperture. Digital workflow is a pain and I liked Aperture 2, but it didn’t do certain things that I wanted (or at least I couldn’t figure out how to do them, which, okay, is a different issue) – like merger libraries or the non-destructive local adjustments. So I see Aperture 3’s Apple site earlier today and as I’m looking through all of the features, I’m just getting more and more excited. It was nice, but I liked the LR non-destructive local adjustments. I’ve been a Lightroom / LR2 user with Aperture / Aperture 2 as a program that I tried for awhile and then as a mostly unused icon in my dock. I mean it, and that’s odd because I’m usually not that excited about software – because, well, it’s software. Var gform gform||(document.addEventListener("gform_main_scripts_loaded",function() ) See what you are about to shoot!Ī simulated (camera) LCD panel on the computer screen performs the same function as the camera's viewfinder display which has been modified to be consistent with those used in the latest cameras for smoother operation.Enter your email address to subscribe to this blog and receive notifications of new posts by email. Live previews direct from the camera are supported on the D3, D700, D300 and D90 when this feature is enabled. The camera can be connected to a computer via USB cable to a wired or wireless network using a wireless transmitter. Using the included USB or Firewire cable and/or optional WiFi adapters for select models, Nikon Camera Control Pro enables you to capture unique images no matter what the subject. Nikon Camera Control Pro 2.26.0 Multilingual 245 MB Nikon Camera Control Pro - This software is designed to remotely manage the settings of most digital SLR cameras Nikon. Take Control of Your Photography-Remotely: Image data can be transferred and stored without affecting the authentication function. When attached to a digital SLR, the WT-2a, WT-3a and WT-4A enable remote shooting and setting via a wireless LAN over WiFi.Ĭompatible with Nikon's Image Authentication Function: In addition to supporting USB cable connections, Camera Control Pro offers compatibility with the optional wireless transmitter models WT-2a, WT-3a and WT-4A. In certain Nikon digital SLRs such as the D3, D700, D300 and D90 customized image adjustment, including tone compensation curve data, can be saved to tailor the camera's behavior to the photographer's vision, improving efficiency when using multiple cameras at the same time. What's new in Nikon Camera Control Pro 2:
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